€20,00 /Shoot Day
| Recording Media | SD cards, SDHC cards, SDXC cards (that conform to standards) |
|---|---|
| Inputs | |
| Inputs 1–6 | Connectors XLR jack (pin 2 hot) |
| Input (mic) | Input gain +12 dB – +75 dB Input impedance 3 kΩ or more Maximum input level +4 dBu |
| Input (line) | Input gain −8 dB – +55 dB Input impedance 5 kΩ or more Maximum input level +24 dBu |
| Phantom power | +24/+48V 10mA maximum for each channel |
| Equivalent input noise | −127 dBu or less (A-weighted, +75 dB input gain, 150 Ω input) |
| Outputs | |
| Line output | Connectors 3.5 mm stereo mini unbalanced output Output impedance 100 Ω or less Reference output level –10 dBV, 1 kHz, 10 kΩ load Maximum output level +10 dBV, 1 kHz, 10 kΩ load D/A dynamic range 95 dB typ (−60dBFS input, A-weighted) |
| Headphone output | Connector 3.5 mm stereo mini unbalanced output Output impedance 15 Ω or less Maximum output level 100 mW + 100 mW (32Ω load) D/A dynamic range 108 dB typ (−60dBFS input, A-weighted) |
| Recording Formats | |
| When WAV selected | |
| Supported formats | 44.1/47.952/48/48.048/88.2/96/192 kHz, 16/24-bit/32-bit float, mono/stereo/2-8ch poly, BWF/iXML |
| Maximum simultaneous recording tracks | 14 (6 inputs x 2 (Linear and Floating) + LR mix) 6 (6 inputs (Linear or Floating) at Float (32bit) Mode, 192 kHz) |
| When MP3 selected | |
| Supported formats | 128/192/320 kbps, 44.1/48 kHz, ID3v1 tags |
| Maximum simultaneous recording tracks | 2 |
| Recording Time | |
| Using a 32 GB card | 30:46:00 (48 kHz/24-bit stereo WAV) 7:41:00 (192 kHz/24-bit stereo WAV) |
| Timecode | |
| Connectors | 3.5 mm stereo mini (Tip: IN, Ring: OUT) |
| Modes | Off, Int Free Run, Int Record Run, Int RTC Run, Ext, Ext Auto Rec (audio clock can be synchronized to timecode) |
| Frame rates | 23.976 ND, 24 ND, 25 ND, 29.97 ND, 29.97 D, 30 ND, 30 D |
| Precision | ±0.2 ppm |
| Allowed input level | 0.2 – 5.0 Vpp |
| Allowed input impedance | 4.6 kΩ |
| Output level | 3.3 Vpp |
| Output impedance | 50 Ω or less |
| Power | |
| Options | AC adapter : DC 5V (supports USB bus power) Sony® L-Series battery 4 AA batteries (alkaline, lithium or rechargeable NiMH batteries) |
| Continuous recording time | |
| 48 kHz/16-bit 2ch recording to SD card (LINE OUT off, TIMECODE off, LED/LCD Brightness 5, headphones into 32Ω load, PHANTOM off) | Alkaline batteries 7.5 hours or more NiMH batteries (2450 mAh) 10.5 hours or more Lithium batteries 16.5 hours or more |
| 48 kHz/24-bit 6ch recording to SD card (LINE OUT off, TIMECODE off, LED/LCD Brightness 5, headphones into 32Ω load, PHANTOM off) | Alkaline batteries 5.0 hours or more NiMH batteries (2450 mAh) 7.0 hours or more Lithium batteries 10.5 hours or more |
| 192 kHz/24-bit 6ch recording to SD card (LINE OUT on, TIME CODE set to Int Free Run, LED/LCD Brightness 60, headphones into 32Ω load, PHANTOM at 48 V) | Alkaline batteries 0.5 hours or more NiMH batteries (2450 mAh) 1.5 hours or more Lithium batteries 3.5 hours or more |
| Display | |
| 1.54" full-color LCD (240 × 240) | |
| USB | |
| Mass storage operation | Class USB 2.0 High Speed |
| Multitrack audio interface operation (driver required for Windows, no driver required for MacOS) | Class USB 2.0 High Speed Specifications Sampling rate 44.1/48/88.2/96 kHz Bit Rate 16/24-bit Channels 6 in/4 out |
| Stereo mix audio interface operation (no driver required) | Class USB 2.0 Full Speed Specifications Sampling rate 44.1/48 kHz Bit Rate 16-bit Channels 2 in/2 out Note: iOS device audio interface operation supported (stereo mode only) |
| AIF with Rec operation (driver required for Windows, no driver required for MacOS) | Class USB 2.0 High Speed Specifications Sampling rate 44.1/48 kHz Bit Rate 16/24-bit Channels 8 in/4 out |
| Power consumption | 10 W |
| External dimensions | 100 mm (W) x 119.8 mm (D) x 62.9 mm (H) |
| Weight | 520 g |
The Zoom F6 professional field recorder features both 32-bit float recording and dual A/D converters, providing an unprecedented amount of dynamic range. With 6 inputs, Zoom’s solid time code, multiple power options and wireless control, the F6 is a great choice for small setups.
Mic Preamps
The F6 is equipped with six professional-grade preamps. Featuring a super-low noise floor (-127 dBu EIN), high gain (up to 75 dB), and selectable mic/line levels for each input, the F6 is built for location sound.
Precision Time Code
Keep your tracks perfectly synced even when you power down for lunch. On or off, the F6’s Temperature Compensated Crystal Oscillator (TCXO) generates time code at 0.2 ppm accuracy.
Advanced Look-Ahead Hybrid Limiters
When recording in 24-bit, the F6 uses advanced look-ahead hybrid limiters to provide overload protection. By adding a 1-millisecond delay, the limiters “look ahead” anticipating clipping before it’s recorded.
Zoom AutoMix™
Zoom AutoMix™ lets you keep your eyes on the action by automatically adjusting the levels of your mix to reduce ambient sound.
A suitable sound bag will be provided on request. We have different options, please contact us to find the perfect solution for your project.
