Cameras, Digital Cinema Cameras
RED DSMC2 Gemini 5K with Side Handle and 7″ Monitor
- Extremely lightweight body
- 5K resolution at up to 96fps, 150fps @ 4K
- High-speed recording up to 300 fps in 2K
- GEMINI 15.4 megapixel dual sensitivity CMOS
- 16.5+ stops of dynamic range
- Records ultra-efficient REDCODE RAW + ProRes or DNxHR/HD
- This package includes PL, Canon EF and Nikon F mounts
- KipperTie Revolva adds internal ND Filters
- Side handle perfect for handheld operation
- 7″ Touch-Monitor included
€650,00
With superior image quality and best-in-class resolution, RED DSMC2 with Gemini S35 sensor allows content creators everywhere to deliver ultra-detailed still and motion images. Gemini’s 15.4 million pixels capture subtle features and tiny nuances that can’t be seen at lower resolutions.
The RED DSMC2 Gemini 5K combines advanced color science with incredible dynamic range. The result is cinema quality imagery with vivid colors plus detailed shadows and highlights to produce the most realistic images imaginable.
Power consumption: 60W
Estimated runtimes with Li-Ion batteries
90Wh V-Mount | 1.6 Hours |
150Wh V-Mount | 2.5 Hours |
190Wh V-Mount | 3.1 Hours |
Get your battery packs here
Additional RED mini mags available on request
In the Case
- side SSD-module
- PL mount
- EF mount
- F mount
- KipperTie Revolva EF Mount
- ND cartridge 1: 0 (clear) / 0.3 / 0.6 / 0.9
- ND Cartridge 2: 1.2 / 1.5 / 1.8 / 2.1
- RED sensor cover
- Quick start guide
- Hard case (for Revolva)
- LL/STH/STD OLPF
- Top plate
- 15mm LW baseplate
- 2x swatrail
- Top handle
- RED V-lock I/O expander
- D-TAP cable
- Lemo A adapter
- RED DSMC2 sidehandle + cover
- 2x 512GB RED mini mag (incl. case)
- 2x RED station mini mag reader (incl. USB cable, DC power cable)
- WC V-mount low-mode adapter
- RED 7“ touch monitor (incl. Lemo B-adapter, swatrail clamp)
- 2x LCD cable
- microfibre bag
- Sunhood
- A Box (2x XLR > 3,5mm Mini Jack)
- RED AC adapter
- RED V-mount battery belt (custom flexcable)
- USB stick with firmware
- 4x screw
- Pelicase
SENSOR TYPE | GEMINI 15.4 Megapixel Dual Sensitivity CMOS |
---|---|
EFFECTIVE PIXELS | 5120 × 3000 |
SENSOR SIZE | 30.72 mm x 18 mm (Diagonal: 35.61 mm) |
DYNAMIC RANGE | 16.5+ stops |
MAX DATA RATES | Up to 300 MB/s using RED MINI-MAG (480GB & 960GB) Up to 225 MB/s using RED MINI-MAG (120GB & 240GB) |
MAX FRAME RATES | 75 fps at 5K Full Height 1.7:1 (5120 × 3000) 96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160) 120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728) 150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296) 240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864) |
PLAYBACK FRAME RATES (PROJECT TIMEBASE) | 23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions |
REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:1 | 3:1 REDCODE at 5K Full Height (5120 × 3000) and 24 fps 6:1 REDCODE at 5K Full Height (5120 × 3000) and 60 fps 2:1 REDCODE at 5K Full Format (5120 × 2700) and 24 fps 8:1 REDCODE at 5K Full Format (5120 × 2700) and 96 fps 2:1 REDCODE at 4K Full Format (4096 × 2160) and 24 fps 6:1 REDCODE at 4K Full Format (4096 × 2160) and 120 fps |
REDCODE RAW ACQUISITION FORMATS | 5K Full Height 1.7:1 (5120 × 3000), 5K Full Height 6:5 (3600 × 3000), and Ana 2x, 1.3x 5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x |
APPLE PRORES | ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps |
AVID CODECS | DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps |
CONSTRUCTION | Aluminum Alloy |
WEIGHT | 3.35 lbs (BRAIN with Integrated Media Bay) |
OPERATING TEMPERATURE | 0°C to 40°C (32°F to 104°F) |
STORAGE TEMPERATURE | –20°C to 50°C (–4°F to 122°F) |
RELATIVE HUMIDITY | 0% to 85% non-condensing |
COLOR MANAGEMENT | Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs Variable number of 3D LUT outputs with DSMC2 expander module User programmable shaper 1D LUTs Tetrahedral interpolation, 16-bit processing |
AUDIO | Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz |
REMOTE CONTROL | Integrated R.C.P. WiFi antenna Ethernet, RS232, and GPI Trigger with DSMC2 expander module |
MONITOR OUTPUTS | 3G-SDI (HD-SDI) and HDMI with DSMC2 expander module 1080p RGB or 4:2:2, 720p RGB or 4:2:2 480p RGB or 4:2:2 (HDMI only) SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio |
MONITOR OPTIONS | DSMC2 RED Touch 4.7″ LCD, DSMC2 RED Touch 7.0″ LCD and DSMC2 RED EVF (OLED) with cable-free connection. RED Touch 9.0″ LCD, RED Touch 7.0″ LCD, RED Touch 5.0″ LCD, RED PRO 7″ LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable. |
REDCINE-X PRO DELIVERY FORMATS | 4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF 1080p 4:2:0, 720p 4:2:0 : H.264, .MP4 |