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Atomos Shogun Inferno Field Recorder 7″

  • 1920 x 1200 1500 cd/m² touchscreen display
  • 10-Bit FRC monitor processing
  • 4K HDMI and 12G-SDI inputs/outputs
  • HDR mode with 10-stop dynamic range
  • High bright mode for Rec. 709 viewing
  • UHD 4K up to 50p / 1080p up to 240 fps
  • 10-Bit 4:2:2 ProRes RAW and DNxHR encoding
  • Records to 2.5″ SSD/HDD media
  • Dual Sony L-Series battery slots

€50,00

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With its large, bright color-accurate 7″ LCD screen and 4K recording capabilities, the Atomos Shogun Inferno can be implemented to enhance professional video workflows in both production and post-production.

Record ProRes RAW

Unlock the true potential of your RAW cinema camera with the Shogun Inferno. Preserve your sensor’s pristine pixels in ProRes RAW at up to 5.7kp30, 4kp120 DCI/UHD and 2kp240 DCI/HD. CDNG supports up to 4kp30 DCI. Inferno is compatible with Sony FS series, Canon C300MKII/C500 or Panasonic EVA-1/Varicam LT.

10-bit ProRes/DNxHR up to 4Kp50

Video from any camera or digital video source can be captured via SDI or HDMI. Record up to 10-bit 4:2:2 in ProRes or DNxHR codecs at 4Kp60 or 2Kp240, depending on the camera’s capability. The depth and quality of the image is preserved with data rates of up to 1.8Gbs, 220MB/s.

Bright, vibrant HDR images anywhere

The 7” 1920×1200 1500nit high bright HDR display allows you to see your images with unparalleled accuracy. Nail focus and exposure, even outside in daylight. The AtomHDR panel shows 10+ stops of HDR resolved in real time from RAW/Log/PQ/HLG sources.

Quad SDI & HDMI 2.0 In/Out

Seamlessly connect any SDI or HDMI device for monitoring and recording. Cross convert between HDMI 2.0 and 1.5G/3G/6G/12G/Quadlink SDI in almost any combination and eliminate the need for specialist converters.

 

In the Case
  • Atomos Shogun Inferno 7″
  • 2x atomos master caddy II
  • USB 3.0 dock
  • 4-piece sun hood
  • NP-F charger
  • 2x HDMI > HDMI cable
  • 2x BNC cable
  • 2x coiled D-Tap power cable
  • LANC cable
  • 2x XLR3F > Lemo audio-in cable
  • 2x AC adapter
  • 2x AC adapter plug
  • Hard case

For internal recording, find optional SSD drives here
For your work on the field, book your NP-F style batteries

Categories: , ,
Display
Type 7.1″ / 18 cm IPS capacitive touchscreen
Resolution 1920 x 1200
325 ppi
Bit Depth 10-bit (8-bit plus FRC)
Video Aspect Ratio Native: 16:9
Brightness 1500 cd/m²
LUT Support 3D LUT (.cube file format)
Interface
Inputs 1 x HDMI (2.0)
4 x 3G-SDI Quad/Single 12G-SDI (BNC)
1 x Genlock / LTC (BNC)
1 x 2.5 mm LANC
2 x XLR (included LEMO breakout cable required)
Outputs 1 x HDMI (2.0)
1 x 12G-SDI (BNC)
2 x XLR (included LEMO breakout cable required)
1 x 3.5 mm headphone jack
Supported Video Format
Supported Signal Input: 10- / 8-bit 4:2:2 (dependent on video source)
Output: 10- / 8-bit 4:2:2 (dependent on video source)
Input/Output Resolutions HDMI:
2160p: 24/25/30/50/60
1080p: 24/25/30/50/60/120/240
1080i: 50/60
720p: 50/60SDI:
2160p: 24/25/30/50/60
1080p: 24/25/30/50/60/120
1080PsF: 24/25/30
1080i: 50/60
720p: 50/60
Video Signal Conversion HDMI to SDI:
2160p: 24/25/30/50/60
1080p: 24/25/30/50/60/100/120/
1080i: 50/60
720p: 50/60SDI to HDMI:
2160p: 24/25/30/50/60
1080p: 24/25/30/50/60/100/120
1080i: 50/60
720p: 50/60
Encoding Formats DCI Raw 4096 x 2160 from supported cameras (Sony FS700, Sony FS7, Canon C300 MK II, Canon C500):
Apple ProRes Raw and ProRes Raw HQ, ProRes HQ, 422, LT
DNxHR HQX, HQ, SQ, LBUHD 4K (3840 x 2160):
Apple ProRes HQ, 422, LT
DNxHR HQX, HQ, SQ, LB1920 x 1080
Apple ProRes HQ, 422, LT
DNxHD 220x, 220, 145, 36
Pulldown Conversion 24/25/30PsF to 24/25/30p (2:2 pulldown)
60i to 24p (3:2 pulldown)
Supported Codecs Raw to ProRes/DNxHR
Apple ProRes: Raw, Raw HQ, HQ, 422, LT
AVID DNxHR: HQX. HQ, SQ, LBFrame Rates
DCI / UHD 4K: 24/25/30/50/60p
PsF: 30/50/60/100/120/200/240Video to ProRes/DNxHR
Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LBFrame Rates
DCI / UHD 4K: 24/25/30/50/60p
PsF: 30/50/60/100/120/200/240
Supported Audio Formats
HDMI 2- or 8-channel, up to 24-bit (camera dependent)
SDI Up to 12-channel, 48 kHz, up to 24-bit (camera dependent)
Dynamic Range >90 dB
Signal Level Maximum: +24 dBu
Gain Maximum Analog Gain: +52 dB
Phantom Power +48 V phantom power for XLR inputs
Remote Operation
HDMI Auto HDMI trigger
Supported Protocols: Canon, Sony, Atomos Open Standard
SDI SDI trigger camera selectable
LANC Supports slave configuration
Recording Media
Supported Media 4K
2.5″ SSDHD High Frame Rate (50/60/120p):
2.5″ SSD
2.5″ HDD (7,200 rpm and up) for 1080p 50/60HD (30p and less):
2.5″ SSD
2.5″ HDD (5,400 rpm and up)Note: Only use media that has been approved by Atomos
Master Caddy Dock Interface: 2.5″ SATA to USB 2.0/3.0
Supported Applications Final Cut Pro X/7+
Avid Media Composer 5.0+
Adobe Premiere 5.5+
Grass Valley EDIUS 6.0+
Sony Vegas Pro 10+
Lightworks
Autodesk Smoke 2015
XML Support FCP X XML native, FCP 7 supported with conversion (Adobe compatible)
General
Power Requirements 6.2 to 16.8 VDC (battery or DC power input)
Power Consumption 10 to 24 W
Supported Battery Types 2 x Sony L-series
Battery Life 5200 mAh: Up to 1.5 hours (monitor and record 4K)
7800 mAh: Up to 2.2 hours (monitor and record 4K)
Construction ABS polycarbonate
Dimensions 21.4 x 12.7 x 4.5cm (8.4 x 5 x 1.8″)
Weight Without Batteries & Media: 0.65kg (1.4 lb)
With Batteries & Media: 1.09kg (2.4 lb)

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