| Sensor Type |
Super 35 format ARRI ALEV 4 CMOS sensor with Bayer pattern colour filter array |
| Sensor Photosites and Size |
4608 x 3164 / Ø 33.96 mm / 1.337" |
| Sensor Frame Rates |
0.75 – 120 fps |
| Project Frame Rates |
23.976, 24, 25, 29.97, 30, 47.952, 48, 50, 59.94, 60 fps |
| Weight |
2.9 kg / 6.4 lbs (camera body with three antennas and LPL Mount (LBUS)) |
| Photosite Pitch |
6.075 μm |
| Active Image Area (Dimensions): |
| 4.6K 3:2 Open Gate |
28.00 x 19.20 mm / 1.102 x 0.756" |
| 4.6K 16:9 |
28.00 x 15.70 mm / 1.102 x 0.618" |
| 4K 16:9 |
24.90 x 14.00 mm / 0.980 x 0.551" |
| 4K 2:1 |
24.90 x 12.40 mm / 0.980 x 0.490" |
| 3.3K 6:5 |
20.22 x 16.95 mm / 0.796 x 0.693" |
| 3K 1:1 |
18.70 x 18.70 mm / 0.737 x 0.737 |
| 2.7K 8:9 |
16.70 x 18.70 mm / 0.656 x 0.738" |
| 2K 16:9 S16 |
12.40 x 7.00 mm / 0.490 x 0.276" |
| Image Circle: |
| 4.6K 3:2 Open Gate |
33.96 mm / 1.337" |
| 4.6K 16:9 |
32.10 mm / 1.264" |
| 4K 16:9 |
28.57 mm / 1.125" |
| 4K 2:1 |
27.82 mm / 1.095" |
| 3.3K 6:5 |
26.38 mm / 1.039" |
| 3K 1:1 |
26.45 mm / 1.041" |
| 2.7K 8:9 |
25.09 mm / 0.988" |
| 2K 16:9 S16 |
14.24 mm / 0.561" |
| Active Image Area (Photosites): |
| 4.6K 3:2 Open Gate |
4608 x 3164 |
| 4.6K 16:9 |
4608 x 2592 |
| 4K 16:9 |
4096 x 2304 |
| 4K 2:1 |
4096 x 2048 |
| 3.3K 6:5 |
3328 x 2790 |
| 3K 1:1 |
3072 x 3072 |
| 2.7K 8:9 |
2743 x 3086 |
| 2K 16:9 S16 |
2048 x 1152 |
| Recording Resolution (Pixel) – Max fps* (1TB / 2TB Drive): |
| 4.6K 3:2 Open Gate |
4.6K (4608 x 3164) – 35 / 75 fps (ARRIRAW), 60 / 60 fps (Apple ProRes) |
| 4.6K 16:9 |
4.6K (4608 x 2592) – 45 / 75 fps (ARRIRAW) |
|
4K (4096 x 2304) – 75 / 75 fps (Apple ProRes) |
| 4K 16:9 |
4K (4096 x 2304) – 55 / 120 fps (ARRIRAW), 100 / 100 fps (Apple ProRes) |
|
UHD (3840 x 2160) – 120 / 120 fps (Apple ProRes) |
|
2K (2048 x 1152) – 120 / 120 fps (Apple ProRes) |
|
HD (1920 x 1080) – 120 / 120 fps (Apple ProRes) |
| 4K 2:1 |
4K (4096 x 2048) – 65 / 120 fps (ARRIRAW), 120 / 120 fps (Apple ProRes) |
| 3.3K 6:5 |
3.3K (3328 x 2790) – 55 / 100 fps (ARRIRAW), 75 / 75 fps (Apple ProRes) |
|
4K 2.39:1 Ana. 2x (4096 x 1716) – 90 / 90 fps (Apple ProRes) |
| 3K 1:1 |
3K (3072 x 3072) – 55 / 100 fps (ARRIRAW), 90 / 90 fps (Apple ProRes) |
|
3.8K 2:1 Ana. 2x (3840 x 1920) – 100 / 100 fps (Apple ProRes) |
| 2.7K 8:9 |
UHD 16:9 Ana. 2x (3840 x 2160) – 100 / 100 fps (Apple ProRes) |
| 2K 16:9 S16 |
2K (2048 x 1152) – 120 / 120 fps (Apple ProRes) |
| Exposure Index |
Adjustable from EI 160 – 6400 in 1/3 stops |
| Dynamic Range |
17 stops (2.5 more than with previous ALEXA cameras) |
| Shutter |
Electronic shutter, 5.0°- 356° or 1s – 1/8000s |
| Recording Codecs |
MXF/ARRIRAW |
|
MXF/Apple ProRes 4444 XQ |
|
MXF/Apple ProRes 4444 |
|
MXF/Apple ProRes 422 HQ |
| Recording Media |
Codex Compact Drive 1TB (CA08-1024), Codex Compact Drive 2TB (CB16-2048) |
| Recording Modes |
Standard real-time recording, Pre-recording |
| Viewfinder Type |
Multi Viewfinder MVF-2 with OLED viewfinder display (1920 x 1080) and 4" LCD flip-out monitor (800 x 400) |
| Viewfinder Diopter |
Adjustable from -5 to +5 diopters |
| Colour Output |
Rec 709, Rec 2020, Rec 2100 PQ, Rec 2100 HLG, LogC4 |
| Look Control |
ARRI Textures |
|
Custom colour look (through ARRI Look File ALF4 or ARRI Look Library) |
| White Balance |
Manual and auto white balance, adjustable from 2000K to 11000K |
|
Colour correction adjustable from -16 to +16 CC |
|
(1 CC corresponds to 035 Kodak CC values or 1/8 Rosco values) |
| Filters |
Four position built-in motorized ND filter: Clear, 0.6, 1.2, 1.8 |
|
Fixed optical low pass, UV, IR filter |
| Lens Squeeze Factors |
1.00, 1.25, 1.30, 1.33, 1.50, 1.65, 1.80, 1.85, 2.00 |
| Exposure and Focus Tools |
False Colour, Zoom, Aperture and Colour Peaking |
| Audio Recording |
4 channel linear PCM (24 bit, 48 kHz) |
| Image Outputs |
2x VF custom CoaXPress connectors for MVF-2 viewfinder |
|
2x 12G SDI (BNC) 422 1.5G HD, 422 3G HD, 444 3G HD, 422 6G UHD, 422 12G UHD, 444 12G UHD |
| Interfaces |
1x LBUS (LEMO 4-pin) for lens motors, daisy chainable |
|
1x SERIAL (LEMO 4-pin) for distance measuring accessories |
|
1x TC (LEMO 5-pin) for timecode In/Out |
|
1x ETH (LEMO 10-pin) for remote control and service |
|
1x SYNC IN (BNC) for Genlock synchronization |
|
1x RET IN (BNC, switchable on SDI 2) |
|
1x USB-C for user setups, look files etc |
|
1x Rear Interface (18-pin Pogo) |
|
1x Top Interface (5-pin Pogo) |
| Audio Inputs |
1x AUDIO (LEMO 6-pin) for balanced stereo line in |
|
(line input max. level +24 dBu correlating to 0 dBFS) |
|
Two built-in microphones for scratch audio |
|
With Audio Extension Module AEM-1: additional 3x TA3 connectors (MIC/Line, +48 V, AES) |
| Audio Outputs |
1x 3.5 mm stereo headphone connector (on MVF-2) |
|
2x SDI (embedded audio) |
| Power Inputs |
1x PWR (LEMO 8-pin) |
|
1x BAT (camera rear interface / battery adapter) |
|
20.5 – 33.6 V DC |
| Power Outputs |
1x RS (Fischer 3-pin) for 24 V accessory power out, start/stop and shutter pulse |
|
1x 12 V (LEMO 2-pin) for 12 V accessory power out |
|
1x LBUS (LEMO 4-pin) for lens motors & 24 V power out, daisy-chainable |
|
1x AUDIO (LEMO 6-pin) for balanced stereo line in and 12 V accessory power out |
|
1x ETH (LEMO 10-pin) for remote control, service and 24 V accessory power out |
|
With Power Distribution Module PDM-1: additionally 4x 24 V, 2x 12 V and 1x D-Tap |
| Remote Control Options |
Camera Companion App |
|
ARRI Electronic Control System (ECS) |
|
Web-based remote control from phones, tablets and laptops via WiFi & Ethernet |
|
Camera Access Protocol (CAP) via WiFi & Ethernet |
|
GPIO interface for integration with custom control interface |
| Wireless Interfaces |
Built-in WiFi module (IEEE 802.11b/g) |
|
Built-in White Radio for ARRI ECS lens and camera remote control |
| Lens Mounts & Adapters |
ARRI LPL Mount (LBUS) |
|
ARRI PL-to-LPL Adapter |
|
ARRI PL Mount (LBUS) |
|
ARRI PL Mount (Hirose) |
|
ARRI EF Mount (LBUS) |
|
Leitz M Mount for ARRI |
| Flange Focal Depth |
LPL Mount: 44 mm , PL mount: 52 mm |
| Power Consumption |
~ 90 W (Camera body and MVF-2) |
| Measurements (HxWxL) |
147 x 152.5 x 203 mm / 5.8 x 6.0 x 8.0" (camera body with LPL lens mount) |
| Operating Temperature |
-20° C to +45° C / -4° F to +113° F @ 0-95% RH |
| Storage Temperature |
-30° C to +70° C / -22° F to +158° F |
| IP Rating |
IP 51 |
| Sound Level |
< 20 dB (A) at 30 fps, recording 4K 16:9 – UHD, Apple ProRes 4444 XQ, ≤ +30° ambient temperature |
| Licenses |
ALEXA 35 Cine License |
