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ARRI ALEXA 35 Production Set

  • Includes 3x 2TB Codex Compact Drives
  • 4.6K Super35 ARRI ALEV 4 CMOS Sensor
  • Up to 4.6K 4608 x 3164, Cine License
  • MXF/ARRIRAW & MXF/Apple ProRes 4444 XQ
  • 17 Stops Dynamic Range
  • ARRI EF-Mount (LBUS) available on request
  • B-Mount Batteries and Hot-Swaps available from bebob and SWIT

€1.800,00

Related products

ARRI once again raises the bar for digital cinematography with the ALEXA 35, a Super35 camera with a new 4:3 4.6K sensor that offers a 2.5 stop increase in dynamic range, improved low-light performance and richer, more accurate colour reproduction. The ALEXA 35 Body & LBUS PL Mount Set combines the ALEXA 35 camera with a Cine licence, LBUS PL mount, B-Mount battery plate and BUD-1 utility dovetail. Compact and easy to use, the ALEXA 35 offers both MFX/ARRIRAW and MFX/Apple ProRes recording to 1 or 2TB Codex drives at resolutions up to 4.6K and frame rates up to 120p.

The New Sensor

The key to the ALEXA 35’s amazing image quality is a new 4.6K Super35 CMOS sensor with 17 stops of dynamic range, a robust 2.5 stops more than previous ARRI cameras. These 2.5 stops are split between 1.5 stops at the top for film like highlight roll-off and 1 stop at the bottom to see deeper into shadows without overexposing other areas. Ideal for HDR projects and all backlit setups, the ALEXA 35’s wide dynamic range can also be a boon when tweaking your images in post.

Recording Formats

With in-camera down-sampling and anamorphic de-squeezing, the ALEXA 35 offers a robust range of 19 ARRIRAW and Apple ProRes recording formats with varying resolutions, data rates, aspect ratios and other factors to suit a wide range of production styles. Recording resolutions include 4.6, 4, 3.3, 3, 2.7 and 2K options.

High ISO & Stray Light Suppression

With an EI of 160-6400, the ALEXA 35 offers higher sensitivity and lower noise than ever before in the ARRI line-up, even in low light. An optional Enhanced Sensitivity Mode (EI 2560-6400) works with the camera’s wide dynamic range to produce nuanced images in darker environments, ideal for spontaneous or available light shooting. Stray light suppression technology is used in both the camera and the new ARRI PL (Hirose or LBUS) lens mounts to maintain the full contrast range of your choice of lens while eliminating any grey tones.

 

In the Case

  • ARRI ALEXA 35 camera body
  • 3x antennas (2x short, 1x long)
  • KK.0041533 production support set – top (incl. low mode support LMS-4, top extension bracket TEB-1, center camera handle CCH-5, square accessory sleeve SAS-1, viewfinder mounting bracket VMB-5)
  • KK.0041534 production support set – side (incl. camera side bracket CSB-1R, camera side bracket CSB-1L, camera side bracket CSB-1R extension, rod mounting bracket RMB-7, articulated mounting plate AMP-1)
  • Balance utility dovetail BUD-1
  • KK.0041535 production support set – bottom 19mm (incl. compact bridge plate CBP-5, bottom dovetail plate 300mm); 2x 15mm rod 10cm, 2x 19mm rod 44cm
  • Power distribution module PDM-1, B-Mount battery adapter
  • Multi viewfinder MVF-2 incl. exposure tool card, cable VF right angle 0.5m, spare cable VF right angle 0.5m in bag
  • ARRI LPL mount (LBUS) + front cap, ARRI PL > LPL adapter + front & rear cap
  • ARRI power supply light (24V) + AC cable in EQC bag, camera power cable straight 2m KC-50
  • 3x Codex compact drive 2TB in card case, 2x Codex compact drive reader incl. USB-C cable in EQC bag, 64GB USB-A > USB-C stick, Denk Calden SW 3×75 tool, ALEXA 35 case
Categories: , ,
Sensor Type Super 35 format ARRI ALEV 4 CMOS sensor with Bayer pattern colour filter array
Sensor Photosites and Size 4608 x 3164 / Ø 33.96 mm / 1.337″
Sensor Frame Rates 0.75 – 120 fps
Project Frame Rates 23.976, 24, 25, 29.97, 30, 47.952, 48, 50, 59.94, 60 fps
Weight 2.9 kg / 6.4 lbs (camera body with three antennas and LPL Mount (LBUS))
Photosite Pitch 6.075 μm
Active Image Area (Dimensions):
4.6K 3:2 Open Gate 28.00 x 19.20 mm / 1.102 x 0.756″
4.6K 16:9 28.00 x 15.70 mm / 1.102 x 0.618″
4K 16:9 24.90 x 14.00 mm / 0.980 x 0.551″
4K 2:1 24.90 x 12.40 mm / 0.980 x 0.490″
3.3K 6:5 20.22 x 16.95 mm / 0.796 x 0.693″
3K 1:1 18.70 x 18.70 mm / 0.737 x 0.737
2.7K 8:9 16.70 x 18.70 mm / 0.656 x 0.738″
2K 16:9 S16 12.40 x 7.00 mm / 0.490 x 0.276″
Image Circle:
4.6K 3:2 Open Gate 33.96 mm / 1.337″
4.6K 16:9 32.10 mm / 1.264″
4K 16:9 28.57 mm / 1.125″
4K 2:1 27.82 mm / 1.095″
3.3K 6:5 26.38 mm / 1.039″
3K 1:1 26.45 mm / 1.041″
2.7K 8:9 25.09 mm / 0.988″
2K 16:9 S16 14.24 mm / 0.561″
Active Image Area (Photosites):
4.6K 3:2 Open Gate 4608 x 3164
4.6K 16:9 4608 x 2592
4K 16:9 4096 x 2304
4K 2:1 4096 x 2048
3.3K 6:5 3328 x 2790
3K 1:1 3072 x 3072
2.7K 8:9 2743 x 3086
2K 16:9 S16 2048 x 1152
Recording Resolution (Pixel) – Max fps* (1TB / 2TB Drive):
4.6K 3:2 Open Gate 4.6K (4608 x 3164) – 35 / 75 fps (ARRIRAW), 60 / 60 fps (Apple ProRes)
4.6K 16:9 4.6K (4608 x 2592) – 45 / 75 fps (ARRIRAW)
4K (4096 x 2304) – 75 / 75 fps (Apple ProRes)
4K 16:9 4K (4096 x 2304) – 55 / 120 fps (ARRIRAW), 100 / 100 fps (Apple ProRes)
UHD (3840 x 2160) – 120 / 120 fps (Apple ProRes)
2K (2048 x 1152) – 120 / 120 fps (Apple ProRes)
HD (1920 x 1080) – 120 / 120 fps (Apple ProRes)
4K 2:1 4K (4096 x 2048) – 65 / 120 fps (ARRIRAW), 120 / 120 fps (Apple ProRes)
3.3K 6:5 3.3K (3328 x 2790) – 55 / 100 fps (ARRIRAW), 75 / 75 fps (Apple ProRes)
4K 2.39:1 Ana. 2x (4096 x 1716) – 90 / 90 fps (Apple ProRes)
3K 1:1 3K (3072 x 3072) – 55 / 100 fps (ARRIRAW), 90 / 90 fps (Apple ProRes)
3.8K 2:1 Ana. 2x (3840 x 1920) – 100 / 100 fps (Apple ProRes)
2.7K 8:9 UHD 16:9 Ana. 2x (3840 x 2160) – 100 / 100 fps (Apple ProRes)
2K 16:9 S16 2K (2048 x 1152) – 120 / 120 fps (Apple ProRes)
Exposure Index Adjustable from EI 160 – 6400 in 1/3 stops
Dynamic Range 17 stops (2.5 more than with previous ALEXA cameras)
Shutter Electronic shutter, 5.0°- 356° or 1s – 1/8000s
Recording Codecs MXF/ARRIRAW
MXF/Apple ProRes 4444 XQ
MXF/Apple ProRes 4444
MXF/Apple ProRes 422 HQ
Recording Media Codex Compact Drive 1TB (CA08-1024), Codex Compact Drive 2TB (CB16-2048)
Recording Modes Standard real-time recording, Pre-recording
Viewfinder Type Multi Viewfinder MVF-2 with OLED viewfinder display (1920 x 1080) and 4″ LCD flip-out monitor (800 x 400)
Viewfinder Diopter Adjustable from -5 to +5 diopters
Colour Output Rec 709, Rec 2020, Rec 2100 PQ, Rec 2100 HLG, LogC4
Look Control ARRI Textures
Custom colour look (through ARRI Look File ALF4 or ARRI Look Library)
White Balance Manual and auto white balance, adjustable from 2000K to 11000K
Colour correction adjustable from -16 to +16 CC
(1 CC corresponds to 035 Kodak CC values or 1/8 Rosco values)
Filters Four position built-in motorized ND filter: Clear, 0.6, 1.2, 1.8
Fixed optical low pass, UV, IR filter
Lens Squeeze Factors 1.00, 1.25, 1.30, 1.33, 1.50, 1.65, 1.80, 1.85, 2.00
Exposure and Focus Tools False Colour, Zoom, Aperture and Colour Peaking
Audio Recording 4 channel linear PCM (24 bit, 48 kHz)
Image Outputs 2x VF custom CoaXPress connectors for MVF-2 viewfinder
2x 12G SDI (BNC) 422 1.5G HD, 422 3G HD, 444 3G HD, 422 6G UHD, 422 12G UHD, 444 12G UHD
Interfaces 1x LBUS (LEMO 4-pin) for lens motors, daisy chainable
1x SERIAL (LEMO 4-pin) for distance measuring accessories
1x TC (LEMO 5-pin) for timecode In/Out
1x ETH (LEMO 10-pin) for remote control and service
1x SYNC IN (BNC) for Genlock synchronization
1x RET IN (BNC, switchable on SDI 2)
1x USB-C for user setups, look files etc
1x Rear Interface (18-pin Pogo)
1x Top Interface (5-pin Pogo)
Audio Inputs 1x AUDIO (LEMO 6-pin) for balanced stereo line in
(line input max. level +24 dBu correlating to 0 dBFS)
Two built-in microphones for scratch audio
With Audio Extension Module AEM-1: additional 3x TA3 connectors (MIC/Line, +48 V, AES)
Audio Outputs 1x 3.5 mm stereo headphone connector (on MVF-2)
2x SDI (embedded audio)
Power Inputs 1x PWR (LEMO 8-pin)
1x BAT (camera rear interface / battery adapter)
20.5 – 33.6 V DC
Power Outputs 1x RS (Fischer 3-pin) for 24 V accessory power out, start/stop and shutter pulse
1x 12 V (LEMO 2-pin) for 12 V accessory power out
1x LBUS (LEMO 4-pin) for lens motors & 24 V power out, daisy-chainable
1x AUDIO (LEMO 6-pin) for balanced stereo line in and 12 V accessory power out
1x ETH (LEMO 10-pin) for remote control, service and 24 V accessory power out
With Power Distribution Module PDM-1: additionally 4x 24 V, 2x 12 V and 1x D-Tap
Remote Control Options Camera Companion App
ARRI Electronic Control System (ECS)
Web-based remote control from phones, tablets and laptops via WiFi & Ethernet
Camera Access Protocol (CAP) via WiFi & Ethernet
GPIO interface for integration with custom control interface
Wireless Interfaces Built-in WiFi module (IEEE 802.11b/g)
Built-in White Radio for ARRI ECS lens and camera remote control
Lens Mounts & Adapters ARRI LPL Mount (LBUS)
ARRI PL-to-LPL Adapter
ARRI PL Mount (LBUS)
ARRI PL Mount (Hirose)
ARRI EF Mount (LBUS)
Leitz M Mount for ARRI
Flange Focal Depth LPL Mount: 44 mm , PL mount: 52 mm
Power Consumption ~ 90 W (Camera body and MVF-2)
Measurements (HxWxL) 147 x 152.5 x 203 mm / 5.8 x 6.0 x 8.0″ (camera body with LPL lens mount)
Operating Temperature -20° C to +45° C / -4° F to +113° F @ 0-95% RH
Storage Temperature -30° C to +70° C / -22° F to +158° F
IP Rating IP 51
Sound Level < 20 dB(A) at 30 fps, recording 4K 16:9 – UHD, Apple ProRes 4444 XQ, ≤ +30° ambient temperature
Licenses ALEXA 35 Cine License

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